Analysis of fantastic planet animated film in the context of Roland Topor’s fantastic style
DOI:
https://doi.org/10.31566/arts.1964Keywords:
Roland Topor, Fantastic Planet, Fantastic Style, Illustration, Cut-Out AnimationAbstract
For centuries, humans have discovered visual communication ways to express themselves, using images and symbols to communicate. This article is an analysis of the animation film “La Planète Sauvage” by director and animator René Laloux, written and drawn by the versatile and productive artist Roland Topor, one of the avant-garde names of contemporary French art, who has signed many creative works in many fields of art, such as literature, visual arts, and performance arts. The analysis focuses on the fantastic elements and contrasts of the film within the context of Roland Topor’s distinctive stylistic form.
Downloads
References
ARNHEIM, Rudolf. (2009). Görsel Düşünme. İstanbul: Metis Yayınları, 2. bs.
BRADLEY, F. (1997). Surrealism. Cambridge: Cambridge University Press
BURNETT, Ron. (2007). İmgeler Nasıl Düşünür? İstanbul: Metis Yayınları.
DEMPSEY, A. (2019). Surrealism London: Thames & Hudson
FRIEDLÄNDER, Saul. (2016). Nazi Almanyası ve Yahudiler. İstanbul: İletişim Yayınları
JONES, L. (2012). Drawing Surrealism. London: Prestel
KLINGSOEHR-LEROY, C. (2020). Sürrealism. Cologne: Taschen
PASSERON, R. (1996). Sürrealizm Sanat Ansiklopedisi. Ankara: Remzi Kitabevi, 3. bs.
TURANİ, A. (2003). Sanat Terimleri Sözlüğü. 5. bs. Ankara: Remzi Kitabevi,
WIGAN, M. (2012). Görsel İllüstrasyon Sözlüğü. İstanbul: Literatür Yayınları.
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Holistence Publications

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0) that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.

