JOURNAL OF ARTS https://journals.gen.tr/index.php/arts <p style="text-align: justify;"><strong><em>Journal of Arts</em></strong>&nbsp;<em>(E-ISSN&nbsp;2636-7718 &amp; Doi Prefix: 10.31566)<strong>&nbsp;</strong></em>is an<strong>&nbsp;</strong>international refereed journal&nbsp;which started to be published in April 2018. &nbsp;The journal aims to include original papers in different art fields. In this framework, high quality theoretical and applied articles are going to be published. The views and works of artists, academicians, researchers and professionals working in all fileds of arts are brought together. The articles in the journal is published&nbsp; <strong>4</strong> times a year;&nbsp;<em>WINTER (January), SPRING (April), Summer (July), AUTUMN (October).&nbsp;Journal of Arts&nbsp;is a&nbsp;<strong>&nbsp;</strong>free of charge, electronic and open access&nbsp;journal.&nbsp;</em>The<span class="apple-converted-space">&nbsp;</span><a href="http://www.doidestek.com/"><strong>DOI number</strong></a><span class="apple-converted-space">&nbsp;(<em>Doi Prefix: </em>10.31566)&nbsp;</span>is assigned to all the articles published in the journal.</p> <p>&nbsp;</p> en-US <p> <em>When the article is accepted for publication in the </em><em>Journal of Arts</em><em>, authors transfer all copyright in the article to the </em><em>Rating Academy </em><em>Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti</em><em>.</em><em>The authors reserve all proprietary right other than copyright, such as patent rights. </em></p> <p><em>Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and</em><em> should take public responsibility for it.</em></p> <p><em>Th</em><em>is paper contains works that have </em><em>not previously published or not under consideration for publication in other journals. </em></p> <p> </p> jarts.editorial@gmail.com (Aysu Şahintepe) jarts.editorial@gmail.com (Cumali YAŞAR) Thu, 10 Nov 2022 00:19:54 +0300 OJS 3.3.0.13 http://blogs.law.harvard.edu/tech/rss 60 Artistic examination of elements belonging to the Eastern world in Rembrandt’s paintings https://journals.gen.tr/index.php/arts/article/view/1830 <p>Baroque, a term used by art historians to describe the period after Mannerism and before Rococo, first appeared in Italy when looking at its historical process, and then spread to European cities such as France, Spain and the Netherlands and influenced many artists living in these countries. One of these artists was the Dutch painter Rembrandt Harmenszoon van Rijn. Although when Rembrandt is mentioned, the artist’s iconic works such as “The Night Watch” come to mind first, it is noteworthy that the artist constructs many of his paintings through the Eastern world. In this context, the fact that Amsterdam became the center of international trade in the XVII century and thus many Oriental products from Eastern countries reached the Netherlands left a deep mark on Rembrandt along with many of his contemporaries. Throughout his career, Rembrandt meticulously depicted these elements in his works of oil paintings, patterns and engravings, in which he dealt with the portraits he worked on the most and the<br />events mentioned in the Bible, thus, he gave his works a mystical Eastern atmosphere and constructed a different<br />world by connecting with the East in his paintings. This connection that the artist has established with the Eastern<br />world is rather than the depictions that his contemporaries and some painters who came after him dealt with from<br />the fantasy point of view, it differed due to the East’s efforts to remain faithful to its original. Within the scope of this article, information was given about the characteristic feature of the painting art of the Baroque period and the<br />Dutch Golden Age respectively, in the remaining parts of the research, Rembrandt’s works inspired by the Eastern<br />world were compiled and examined. Thus, it has been tried to look at the art of the period by opening a different window specifically for Rembrandt and the Eastern world.</p> Oğulcan Öz (Author) Copyright (c) 2022 Holistence Publications http://creativecommons.org/licenses/by/4.0 https://journals.gen.tr/index.php/arts/article/view/1830 Thu, 10 Nov 2022 00:00:00 +0300 Carpet samples in Nigde Museum exhibition hall and storage https://journals.gen.tr/index.php/arts/article/view/1848 <p>Carpet art emerged at the end of humanity’s need and it is understood from the examples produced throughout<br />history that humanity has experienced changes according to the periods in which it lived. It is not known that the<br />history of carpet art is quite old and it is not possible to specify the exact date of its beginning, and it is thought that it has been made since the time of mankind. Patterns and color compositions used in carpet art provide information about the period, region and general characteristics of the woven products. Classifying the weaving art in groups such as carpets, rugs and textiles provides convenience in the examination of the samples obtained. Carpet weaving in and around Niğde province dates back to ancient times. There is no document showing the exact date of the beginning of the carpets of the Niğde region. However, it is known that carpet art has a deep and<br />rich history. The weavings thought to have been woven in and around Niğde are preserved in the exhibition hall<br />and special compartments in the warehouse of the Niğde Museum today. These carpet samples preserved in the<br />museum show that the carpet art in the Niğde region dates back to ancient times. Carpets preserved in the museum<br />are important as historical documents. With this study, the color and pattern compositions of 20 carpet samples in the Niğde museum were examined by making image, recording and inventory examinations. It is aimed to examine the carpet samples and to bring them to the literature as a written source.</p> Semra Kılıç Karatay (Author) Copyright (c) 2022 Holistence Publications http://creativecommons.org/licenses/by/4.0 https://journals.gen.tr/index.php/arts/article/view/1848 Thu, 10 Nov 2022 00:00:00 +0300 The place of the concept of melancholy in Picasso’s blue period paintings https://journals.gen.tr/index.php/arts/article/view/1915 <p>In this study, the elements that connect the Spanish painter Pablo Picasso’s Blue Period paintings with the concept<br />of melancholy were investigated. Various definitions of the concept of melancholy, which has undergone constant<br />changes in meaning throughout history, are emphasized. The use of the color blue is one of the elements that<br />connects the blue period and the concept of melancholy. Based on the fact that the color blue expresses melancholy<br />in Western culture and Christian belief and the symbolic meanings of the color in history, this art period in which<br />the artist used the color blue dominantly; The subject has been examined in terms of style and stylistic features. In<br />this context, the works named “Life”, “Blind Man’s Breakfast”, “Old Guitarist”, “Tragedy”, “Old Jew and a Boy”<br />were analyzed in terms of plastic language and content, and the points compatible with the concept of melancholy<br />were determined. From the point of view of the emerging binding elements, the place and effect of the concept of<br />melancholy in the development of the period was investigated.</p> Çisem Oğraş (Author) Copyright (c) 2022 Holistence Publications http://creativecommons.org/licenses/by/4.0 https://journals.gen.tr/index.php/arts/article/view/1915 Thu, 10 Nov 2022 00:00:00 +0300 Virtual Reality applications’ future in new media platforms https://journals.gen.tr/index.php/arts/article/view/1884 <p>Reality is now going beyond human perception. Technologies that was unbelievable ten years ago are suddenly appear every aspect of human life. With the speed of technology nowadays, human perception’s acceleration of development gets forcefully faster and nobody is against that. Because first time in the history, humanity has so transparent information and communication networks that can’t even get manipulated so much. Even though most of the human race are still can’t get rid of their lazyness that is coming from thousand of years of habits, new generations are moving towards safer and more transparent sources of information. Before reality was getting real in the hands of the control mechanisms and the truth was the things that they thought it is true. Now it can be thought that humanity doesn’t have to get under anybodie’s control. There is a digital copy of any book on internet now. There are lots of applications for the people who wants to learn a new language. There are digital archives of every article in every journal and most important than everything that there is a little computer and internet in everybodies’ pockets. Even though the rate of using these sources is still limited to the usage of social media; the perception of reality is changing. Now there is no obstacles against the people who wants to learn, change or better things. Now there is no obligation to respect people only for their status, their place in the family or their importance in the society. If someone is not capable of support these status with their knowledge or experience, the internet is a very strong tool to get things more clear about everyone. Now pure tyranny will hardly find any place for itself, because soon the definition of reality can change and make people enlightened through tecnology. The main concept for this article is going to be the virtual reality Technologies that can eventually direct humanity to enlightment. And finally the journey of this technology in future, will tried to be found.</p> İlkan Devrim Dinç (Author) Copyright (c) 2022 Holistence Publications http://creativecommons.org/licenses/by/4.0 https://journals.gen.tr/index.php/arts/article/view/1884 Thu, 10 Nov 2022 00:00:00 +0300