WILLIAM BLAKE - IMAGINATION AND ENDLESS BODY

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Keywords

William Blake
art
poem
imagination
reality

How to Cite

BALKIR, S. (2020). WILLIAM BLAKE - IMAGINATION AND ENDLESS BODY. JOURNAL OF ARTS, 3(1), 1–10. https://doi.org/10.31566/arts.3.001

Abstract

William Blake (1757-1827), who still has a great influence on contemporary art with his paintings and poems enlightened with a foresighted nature of imagination, is one of the artists who deserves to be mentioned in our intersection of time and space. The artist, who lived between the second half of the 18th century and the first quarter of the 19th century, handled the movement of the period of socio-cultural and political crises as an eclectic phenomenon, and has opened the doors of a unique and extraordinary World with his powerful illustrations placed around his poems and engrawings. Blake, who tried to visualize the invisible reality visible, had persistently avoided being manipulated by any strong person or group and continued to work with great devotion and spiritual humility. It will be helpful to understand the impact of his work and to examine the time Blake experienced in order to comprehend the rhetorical and illuminating plane of motion developed by him.

https://doi.org/10.31566/arts.3.001

References

BURDETT, O. (2009). William Blake, Parkstone Press International, New York
FRYE, N. (1951). Poetry and Design in William Blake, Journal of Aesthetics and Art Criticism 10 (1):35-42
FRYE, N. (1974). Fearful Symmetry, Princeton University Press, Princeton
GILCHRIST, A. (1880). Life of William Blake, Cambridge University Press
KEYNESS, G. (1958). The Complete Writings of William Blake, United Chapters of Phi Beta Kappa, London
LANGRIDGE, I. (1904). William Blake: a study of his life and art work, London
George Bell and Sons, 1904
MITCHELL, W. J. T. (1978). Blake's Composite Art: A Study of the Illuminated Poetry, Princeton University Press, Princeton
ROBERTS, J. (2007). William Blake’s Poetry, Continuum International Publishing Group, New York

Görsel Kaynaklar
Resim 1:
https://upload.wikimedia.org/wikipedia/commons/3/3b/William_Blake_The_Death_of_Earl_Goodwin_c1779_Pen_and_grey_ink_with_watercolour.jpg.
Alındığı tarih:10.12.2019
Resim 2:
https://www.wikizeroo.org/index.php?q=aHR0cHM6Ly9lbi53aWtpcGVkaWEub3JnL3dpa2kvRmlsZTpCbGFrZV9BX0RpdmluZV9JbWFnZS5qcGc.
Alındığı tarih: 10.12.2019
Resim 3:
https-//www.jnorman.com/pages/books/43999/erasmus-darwin/the-botanic-garden. Alındığı tarih: 13.12.2019
Resim 4 & Resim 5:
https://www.telegraph.co.uk/culture/art/3812170/Tate-to-re-stage-William-Blakes-flop-of-an-exhibition.html?fb. Alındığı tarih: 30.12.2019

 When the  article is accepted for publication in the Journal of Arts, authors transfer all copyright in the article to the Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti.The authors reserve all proprietary right other than copyright, such as patent rights. 

Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.

This paper contains works that have not previously published or not under consideration for publication in other journals.

 

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