INVESTIGATION OF USABILITY OF NİHAVEND AUTHORITY IN WEST MUSIC VIOLIN EDUCATION


DOI:
https://doi.org/10.31566/arts.3.018Keywords:
Violin Training, Classical Western Music, MusicAbstract
The fact that music art is one of the best ways of expressing people's feelings and thoughts with a universal language and social principles and values means acceptance, confirmation and eternity of being a common and universal language. The ability of music to express people more easily and its integrative effect has been each region to have a different musical culture. For our country, this indicates the richness of the local motif and diversity in which culture is reflected. According to the fact that violin for Western music is not sufficiently performed in terms of Turkish Music, this study is to investigate and summarize the relations between this music and Western music and Turkish Art Music and its deficiencies in these relations. Our study examines the issues of creating the necessary conditions and materials for the use of “instrument and lyric” in the process of classical Western Music violin education, and making Clasical Western Music available in the initial violin education. Since many studies are needed in the field of this study, we hope and believe that it will set an example and lead others.
Downloads
References
AKDENİZ, A. Ö. & AKDENİZ, H. B. (2018). Geleneksel Osmanlı/Türk Musikisinde Oda Müziği. Journal of Strategic Research in Social Science, 4 (4), 95-108.
AKDENİZ, A. Ö. & AKDENİZ, H. B. (2020). Nitelikli Keman Eğitiminde Öğretmen Faktörü̈. Journal of Social and Humanities Sciences Research, 7(54), 1338-1347.
AKDENİZ, H.B. (2019). Keman Eğitimine Yeni Bir Yaklaşım. Ankara: Gece Kitaplığı. S:65-66
CEBECİ, S. (2010). Bilimsel Araştırma ve Yazma Teknikleri, (3. Basım). İstanbul: Alfa Yayıncılık.
ERTÜRK, S. (1997). Eğitimde Program Geliştirme. Ankara: Meteksan.
GÜNAY, E. ve UÇAN, A. (1980). Çevreden Evrene Keman Eğitimi 1. Ankara: Yeni Dağarcık Yayınları.
GÜREL, M. (2016). Nubar Tekyay’a Ait Hüzzam Keman Taksimin Analiz. Gazi Üniversitesi Güzel Sanatlar Enstitüsü, Sanat Tasarım ve Bilim Dergisi, Kış (1)
KALAYCIOĞLU, R. (1983). Türk Musikisi Bestekârları Külliyatı Serisi. İstanbul.
KLOTMAN, ROBERT H. (2000), Music Educators Journal, “Why String”, Vol. 87 Issue 3 P:44 Item: 3735869.
SAY, A. (2005). Müzik Ansiklopedisi. Cilt 1,2,3,4., s.106. Ankara: Müzik Ansiklopedisi Yayınları.
UÇAN, A. (2004). Keman. İstanbul: Millî Eğitim Bakanlığı Yayınları.
UÇAN, A. (1994). Müzik Eğitimi. Kurtuluş̧ Matbaası. Ankara: Müzik Ansiklopedisi Yayınları.
YILMAZ, Z. (2007). Türk Musikisi Dersleri. İstanbul: Çağlar Musiki Yayınları.
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Holistence Publications

This work is licensed under a Creative Commons Attribution 4.0 International License.
When the article is accepted for publication in the Journal of Arts, authors transfer all copyright in the article to the Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti.The authors reserve all proprietary right other than copyright, such as patent rights.
Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.
This paper contains works that have not previously published or not under consideration for publication in other journals.