NEEDLEWORK AS POLITICAL AND CULTURAL RESISTANCE IN CONTEMPORARY AMERICAN NOVEL
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https://doi.org/10.33390/homeros.4.2.01Keywords:
culture, identity, women's handcrafts, Louise Erdrich, Gloria Naylor, Barbara KingsolverAbstract
Handcrafts like quilting, knitting, sewing, and cross stitching have traditionally been viewed as a “woman’s thing,” a gendered leisure time activity. However, women’s handcrafts when read as texts can yield multi-layered narratives. With the coming of the second wave feminism in the US in the 1960s, many feminist scholars, critiques turned to study literary texts in which women’s handcrafts yielded political and/or cultural meanings. In fact, there is a bulk of scholarly literature on the representations of needlework in American literary tradition. The aim of this research paper is not to offer a comprehensive
study on the representations of women’s handcrafts in American literary tradition but to bring attention to three contemporary American novels, Mama Day by African American feminist author Gloria Naylor, Four Souls by Native American Louise Erdrich, and Flight Behaviour by Barbara Kingsolver. the study of which, I believe, will bring a new breath to the already existing scholarship on the topic.
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