Refahın görsel envanteri: Hollanda tür resmi ve ABD fotogerçekçiliği

Nilüfer Özakçaoğlu; Ömer Aydın

doi:10.26809/joa.3320

Authors

Nilüfer Özakçaoğlu Amasya Şehit Ferhat Ünelli Bilim ve Sanat Merkezi / Türkiye 0000-0001-7320-5953
Ömer Aydın Amasya University / Türkiye 0000-0002-3624-5515

10.26809/joa.3320

Abstract

Bu araştırma, 17. yüzyıl Hollanda tür resmi ile 20. yüzyıl ABD fotogerçekçiliği arasındaki ilişkiyi ekonomik refah, maddi kültür, toplumsal yapı ve gündelik yaşamın görsel temsili bağlamında karşılaştırmayı amaçlamaktadır. Bu karşılaştırma, doğrudan tarihsel etki ya da teknik devamlılık varsayımına dayanmamaktadır. Araştırma, nitel ve karşılaştırmalı bir sanat tarihi yaklaşımına dayanmakta; Vermeer–Goings ve Kalf–Flack eşleştirmelerini biçimsel ve bağlamsal çözümleme yoluyla incelemektedir. Mekânsal örgütlenme, nesne repertuarı, maddesellik, ışık, yüzey, yansıma, mülkiyet ve tüketim göstergeleri ortak karşılaştırma ölçütleri olarak kullanılmaktadır. Çözümleme, Hollanda bağlamında ev içi düzen, lüks nesneler, maddi kültür ve burjuva değerlerinin; ABD fotogerçekçiliğinde ise ticari mekânlar, tüketim nesneleri, otomobiller, vitrinler ve yansıtıcı yüzeylerin farklı refah rejimlerini görünür kılan görsel repertuarlar olarak işlev gördüğüne işaret etmektedir. Betimleyici kesinlik ve yüzey ayrıntısı gibi özellikler çalışmada tarihsel ve teknik sürekliliğe kanıt sunma amacı taşımaksızın, gündelik nesne ve mekanların görsel envantere dönüşmesini destekleyen biçimsel göstergeler olarak değerlendirilmektedir. Araştırma, maddi kültür ve tüketim üzerine mevcut sanat tarihsel tartışmaları kronolojik olarak uzak iki tarihsel bağlam arasında ortak analitik parametrelerle ilişkilendiren ve doğrudan etki varsayımına başvurmayan karşılaştırmalı bir çerçeve önermektedir.

Keywords:

Genre Painting Photorealism Material Culture Affluent Society Consumer Culture

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Author Biography

Nilüfer Özakçaoğlu, Amasya Şehit Ferhat Ünelli Bilim ve Sanat Merkezi / Türkiye

Nilüfer Özakçaoğlu was born in Adana. She graduated from the Department of Art Education at Gazi University in 2001. In 2009, she completed her master’s degree with thesis in the Department of Fine Arts Education at the same university, and in 2024 she completed her doctoral studies in the Department of Fine Arts Education at Marmara University. Since 2001, she has been working as a Visual Arts teacher. The artist, who has participated in numerous national and international exhibitions, works in the fields of contemporary art, digital collage, and interdisciplinary visual production. In her works focusing on city, nature, memory, transformation, and human-space relations, she combines photography, digital intervention, and visual composition techniques, making visible the tension between the artificial environment and nature’s resilient existence. In this respect, her works are also positioned within the framework of contemporary ecological sensitivity and urban critique.

Visual inventory of affluence: Dutch genre painting and American photorealism

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Nilüfer Özakçaoğlu, Amasya Şehit Ferhat Ünelli Bilim ve Sanat Merkezi / Türkiye

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