Rhythm of cities: Urbanization and music relationship in Türkiye
Abstract
Cities, beyond their spatial dimension, are dynamic spaces where social relations, cultural production, and identity formation unfold. Music serves as a powerful medium reflecting these dynamics, rendering urban experiences, migration, social change, and cultural tensions perceptible through rhythm and emotion. This study investigates the interplay between urbanization and music in Turkey across historical periods, from the proclamation of the Republic to the present.
Employing a qualitative approach, the research combines literature review with content and thematic analysis of selected songs, examining popular genres and lyrics of each era. Findings reveal that rural-to-urban migration, squatter settlements, social stratification, neoliberal policies, urban transformation, and globalization leave discernible imprints on music. Genres such as arabesque, pop, rap, and arabesque-rap emerge as symbolic tools in identity construction and urban experience. Musical and lyrical transformations reflect not only aesthetic choices but also social inequalities, migration patterns, identity conflicts, and cultural modernization projects. This study highlights the reciprocal relationship between urbanization and music, illustrating how cultural production mirrors broader social transformations.
Keywords:
Urbanization Process in Turkey Migration and Slums Arabesque Popular Music Rap/ Arabesque RapDownloads
References
Downloads
Published
Issue
Section
How to Cite
License
Copyright (c) 2025 Harika Uçar

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0) that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.




