JOURNAL OF ARTS <p style="text-align: justify;"><strong><em>Journal of Arts</em></strong>&nbsp;<em>(E-ISSN&nbsp;2636-7718 &amp; Doi Prefix: 10.31566)<strong>&nbsp;</strong></em>is an<strong>&nbsp;</strong>international refereed journal&nbsp;which started to be published in April 2018. &nbsp;The journal aims to include original papers in different art fields. In this framework, high quality theoretical and applied articles are going to be published. The views and works of artists, academicians, researchers and professionals working in all fileds of arts are brought together. The articles in the journal is published&nbsp; <strong>4</strong> times a year;&nbsp;<em>WINTER (January), SPRING (April), Summer (July), AUTUMN (October).&nbsp;Journal of Arts&nbsp;is a&nbsp;<strong>&nbsp;</strong>free of charge, electronic and open access&nbsp;journal.&nbsp;</em>The<span class="apple-converted-space">&nbsp;</span><a href=""><strong>DOI number</strong></a><span class="apple-converted-space">&nbsp;(<em>Doi Prefix: </em>10.31566)&nbsp;</span>is assigned to all the articles published in the journal.</p> <p>&nbsp;</p> en-US <p> <em>When the article is accepted for publication in the </em><em>Journal of Arts</em><em>, authors transfer all copyright in the article to the </em><em>Rating Academy </em><em>Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti</em><em>.</em><em>The authors reserve all proprietary right other than copyright, such as patent rights. </em></p> <p><em>Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and</em><em> should take public responsibility for it.</em></p> <p><em>Th</em><em>is paper contains works that have </em><em>not previously published or not under consideration for publication in other journals. </em></p> <p> </p> (Buse AZLAĞ) (Cumali YAŞAR) Sun, 05 Dec 2021 21:24:15 +0000 OJS 60 An opi̇ni̇on regarding the general characteristics of the hymns, their formal structures, and the classification of some forms of Turki̇sh religious music with similar properties as hymn form <p><em>With the Turks' making Anatolia their homeland in the 11th century, many poets, dervishes and sufi poets sang their national poems with mystical features with their instruments in order to express spiritual feelings and try to spread the religion. These works, which are called, have gained names such as tawhid, münacat, na’t, tevsih, mersiye, savt, nefes, shugul, temcid and tasbih in the following centuries according to some of their different characteristics. The fact that these names, which are similar to the hymns in every respect, are considered as the main forms of Turkish religious music today, makes it very difficult to define the hymn form. Because hymns have general features that will gather all these differences within themselves. In the Turkish music literature, it is seen that these forms are far from a standard definition and classification. For this reason, many religious music forms today can be described as hymns forms. Although this shows how important and general form the hymns are, it causes a conceptual and classification confusion in the field of education, academic studies and performance. </em></p> Fatih Tüysüz Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti Sun, 05 Dec 2021 00:00:00 +0000 “Improvisation” or “Self Practice” in contemporary acting techniques <p><em>In this article, it has been investigated how improvisation, which is applied as a staging form in contemporary acting techniques that progress with the method of physical actions, interacts with the self-practices expressed in different disciplines (sociology, psychology and anthropology) in the daily life of the actor. Improvisation studies in physical actions methods were mostly used because of revealing the actor's self-identity. However, the extent to which this goal can be achieved from the perspective of other disciplines and the necessity of this approach have not been discussed. In improvisation studies, which are thought to capture the creativity and originality of the actor in terms of developing instant reactions, there are many variable dynamics that affect his/her performance and shape the self-practices he/she adopts in his/her daily life. In this study, it was examined how effectively improvisation studies that cover the actor's identity and self-practices in his/her daily life and at the same time allow theater to work together with other disciplines, can be used in rehearsals and during the educational stage.</em></p> Ece Çelikçapa Özinan Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti Sun, 05 Dec 2021 00:00:00 +0000 Modern art museum “Garage” <p><em>With the collapse of the Soviet Union in 1990, various changes and transformations were made in the spatial structuring of many important architectural structures built during the rise of Modern Soviet Architecture (1920-1930). Especially in the 2000s, besides the threat of neglect, the danger of collapse has also emerged. About 400-500 historical buildings have been sacrificed to serve Russia's emerging markets. In these years, the "Moscow Architecture Protection Council" was established and these works were tried to be protected. Contemporary art centers have been opened one after another since 2000 to protect the prestige of modern culture and art, to enable the public to meet local and foreign modern art, and to support local artists. Contemporary Culture Center/Modern Art Museum "Garaje", which was opened with great enthusiasm in 2008, is an important center that organizes comprehensive exhibitions and</em> <em>artistic acts </em><em>consisting of works by internationally renowned Russian artists as well as foreign contemporary artists.</em></p> <p><em>In this study; The architectural structure, historical features of the Contemporary Cultural Center "Garaje", formerly "Bakhmetyevsky Garage", and the formation process of the Museum, its activities, etc. Readers will be informed about it.</em></p> Terlan Mehdiyeva Azizzade, Nermin Azizzade Jular Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti Sun, 05 Dec 2021 00:00:00 +0000