JOURNAL OF ARTS <p style="text-align: justify;"><strong><em>Journal of Arts</em></strong>&nbsp;<em>(E-ISSN&nbsp;2636-7718 &amp; Doi Prefix: 10.31566)<strong>&nbsp;</strong></em>is an<strong>&nbsp;</strong>international refereed journal&nbsp;which started to be published in April 2018. &nbsp;The journal aims to include original papers in different art fields. In this framework, high quality theoretical and applied articles are going to be published. The views and works of artists, academicians, researchers and professionals working in all fileds of arts are brought together. The articles in the journal is published&nbsp; <strong>4</strong> times a year;&nbsp;<em>WINTER (January), SPRING (April), Summer (July), AUTUMN (October).&nbsp;Journal of Arts&nbsp;is a&nbsp;<strong>&nbsp;</strong>free of charge, electronic and open access&nbsp;journal.&nbsp;</em>The<span class="apple-converted-space">&nbsp;</span><a href=""><strong>DOI number</strong></a><span class="apple-converted-space">&nbsp;(<em>Doi Prefix: </em>10.31566)&nbsp;</span>is assigned to all the articles published in the journal.</p> <p>&nbsp;</p> RATING ACADEMY Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti. en-US JOURNAL OF ARTS 0000-0000 <p> <em>When the article is accepted for publication in the </em><em>Journal of Arts</em><em>, authors transfer all copyright in the article to the </em><em>Rating Academy </em><em>Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti</em><em>.</em><em>The authors reserve all proprietary right other than copyright, such as patent rights. </em></p> <p><em>Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and</em><em> should take public responsibility for it.</em></p> <p><em>Th</em><em>is paper contains works that have </em><em>not previously published or not under consideration for publication in other journals. </em></p> <p> </p> THE APPLICATION PROBLEM OF INTERNET AND MULTIMEDIA TECHNOLOGIES IN MODERN THEATRE IN AZERBAIJAN <p><em>Almost all fields of art intersect in the theatre. From this point of view, the theatre is a unique place. It’s been decades that creative people working in the field of theatre try to use new technologies whenever possible. Various types of spectacles, show and performances are created using constantly evolving Internet technologies and multi-media.V arious types of digital equipment, devices, computer programs, gadgets and internet technologies are used in scenography, music and lighting. The application problems of information and communication technologies in the theatre make modern theatre critics think and lead to certain predictions about the future of the theatre. In any case, new multimedia technologies are already becoming an integral part of theatrical art.</em></p> Elshad ALIYEV Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 59 65 10.31566/arts.4.2.01 CONSCIOUSNESS STIMULATION WITH GLITCH AGAINST PERCEPTUAL MANIPULATION OF DIGITAL <p><em>The human brain often prefers to operate at an unconscious level rather than at the conscious level. Thus, it can perform many different jobs more accurately and faster by saving energy. Although the operation of our brain at the subconscious level is considered as a natural process, it is of great importance to activate the conscious mind against the formations that manipulate people by taking advantage of this structure of the system. In this direction, the research emphasizes that the errors, deformations and malfunctions that will be created by the glitch technique applied consciously on virtual images can create a perceptual breaking moment that can save the mind from subconscious effects. Digital manipulation emerges with its structure that changes cultural values, dulls the use of consciousness and is oriented towards perception operation. Especially in the age of digital culture, the dominance of the virtual provides the necessary ground for perception orientations. Today's techno-cultural society, in which the line between virtual and real gets thinner, exhibits a conformist approach under hegemonic ideologies. In this study, which investigates the conscious perception of the effects that direct us without being aware of it, it is aimed to draw attention to the existence of unconscious manipulation and the importance of questioning in order not to adopt a conformist structure.</em></p> Kemal AYDIN Engin GÜNEY Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 67 78 10.31566/arts.4.2.02 AN EVALUATION ON CHILDREN'S BOOK ILLUSTRATIONS AND DIGITAL COLLAGE ILLUSTRATION TECHNIQUES <p><em>In order for the child, who is exposed to many uncontrolled images today to be drawn to the area where there is quality learning, it is necessary to rearrange the visual confusion and point out the quality images. Children's texts with many different types of visuals; tales, stories, fantastic texts that nurture the imagination, illustrated narratives with language games, poems and songs. </em></p> <p><em>In order to create a bridge between children and books and to give narrative skills, picture books are important tools that undertake the task of mental and visual communication in children's literature. With these books, information can be transmitted to the child as a combination of verbal and visual codes. For this reason, in the picture books that undertake the task of building the children's world, the image and text should interact and contain formats suitable for the function of the text. </em></p> <p><em>The book illustrations of the new era contain many digital indicators. These visuals that the child can make use of in pedagogical sense should correspond to the child's cognitive development and be appropriate to the level of visual perception. </em></p> <p><em>The digital methods used in today's picture books are becoming increasingly popular for the illustrator in terms of ease of use and comfort. With these methods, where traditional and contemporary techniques are hybridized, he draws and enjoys the opportunity to work in series.</em></p> <p><em>Collage illustration is preferred by many children's book illustrators in terms of giving naive expression opportunities. Nowadays, collage illustration is created with “tradigital” techniques that blend traditional and digital techniques. </em></p> <p><em>The purpose of this study; To evaluate the effect of picture books, which is one of the growth materials of the child, on the world of children and under which conditions digital software came together with traditional illustration techniques from the past through collage illustration applications. </em></p> Ali KILIÇ Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 79 85 10.31566/arts.4.2.03 RED COLOR IN CERAMICS: ITS CULTURAL ORIGINS AND TECHNOLOGY <p><em>The use of ceramics has been around for thousands of years as a part of human culture. Color is a cultural element almost as old as the use of ceramics. Red is probably the first color to be used consciously on ceramics. The strong symbolic significance of this color can be seen in thousands of years of cave paintings and its use in different cultural fields. </em></p> <p><em>In the research, it has been determined that while humanity is trying to reach the red color, the main color, red, also includes intermediate tones such as orange, brown, pink, burgundy, purple, etc. Within the scope of the research, while explaining the ways to reach the red color, in addition to the main color red, the accent colors and semitones of red were also included. </em></p> <p><em>Based on the question of why mankind uses the color red in ceramic making, what cultural meanings he attributes to this color and the symbolic language in the use of color are examined. Then the question “how is this color obtained, in other words, what is the technology?” has been asked. Information was given about the material properties that enabled the color to emerge, the different technological stages observed in the historical process and the techniques used for obtaining the color. </em></p> <p><em>Accordingly, different techniques such as clay coloring, surface coloring, glaze and alternative firing in ceramics are explained.</em></p> Meziyet Ayşe BALYEMEZ Hasan BAŞKIRKAN Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 87 103 10.31566/arts.4.2.04 THE PROBLEM OF POSITIONING OF THE MONUMENT SCULPTURE ON THE PROJECT OF "REGULATION OF THE REPUBLIC HISTORY" <p><em>Proclaimed by the General Staff in 2000 Sculpture Contest 'organizations dealing with the history of the Republic of Turkey is intended to achieve a sculptural composition. The jury selected Rahmi Aksungur's project from the proposals. Implementation of the project has gained nearly two years and was carried out at a time close to the title of being the largest sculpture project of Turkey Republic. Since it has the feature of being the biggest sculpture project implemented in our country, it highlights the importance of the subject. A work analysis of the sculpture project was conducted with the contribution of in-depth interviews with the project owner and the people involved in the implementation. In addition, the project was compared to other similar projects in the world. As a result of this study, it is revealed that the sculpture project a Republican History Arrangement es in terms of originality and content is the first in terms of world sculpture history. In addition is, the project was criticized in parallel to the concept of monument. With this research, it is aimed to shed light on similar projects to be implemented in terms of the construction, implementation, content, minus and plus poles of the project.</em></p> Ferit YAZICI Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 105 117 10.31566/arts.4.2.05 EXAMINATION OF THE CONCEPTS OF BELONGING AND MONACHOPSIS NON-BELONGING IN SITE-SPECIFIC ART <p><em>The sense of belonging, which means the individual's relationship with the place and the society he/she lives in, is a basic need. An individual who cannot fulfill the need of belonging is isolated from the society by experiencing the lack of feeling of belonging through effects such as exclusion and alienation. The lack of feeling of belonging creates base for the perception of belonging as a problem. For this reason, these two concepts are considered interrelated. The concept of belonging has been among the main issues of disciplines such as sociology, psychology, and philosophy; it has also been the subject of art in certain periods. Since the state of belonging or non-belonging is related to the spaces, the researches on the field of art were limited to the works that prioritize the concept of space, and the selected works were examined within the scope of space-specific art. The works examined within the scope of space-specific art have the characteristic of being for and about the place. This feature caused the works to be produced in spaces that are defined as daily living spaces such as houses and streets, apart from gallery spaces. The fact that the works are produced in living spaces or placed in areas defined as public spaces show that the works have gained ground for themselves. This situation is identical with the individual's effort to gain a place. The artists who produce the selected works are from different countries and have different nationalities. The fact that various artists from different countries dealt with it shows that the issue is a basic need that concerns each individual. All selected works are related to the concept of home. While some artists question the relationship of belonging through the house they live in, some artists have put forward the issue in line with the issue of immigration. The issue of belonging is often seen as an immigration issue. In the study, the concept is explained as an existential need of the individual and it has been discussed how the works produced on the subject are shaped in indoor and exterior forms.</em></p> Zeynep Merve ÇİÇEK MIZRAK Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 119 128 10.31566/arts.4.2.06 THE ANALYSIS OF MAX ERNEST'S SOME PAINTINGS EXAMPLES: “THE EYE OF SILENCE”, “EUROPE AFTER RAIN II”, “ANTIPOPE” <p><em>In Myths; Thev isible world is supported by an invisible world. Myths are based on there quirements of the subconsciousandv it alsphere, while it points to the depth of the imagination of a person who wants a certain worship and attachment. In this case, it shows that it is based on which is lived to get her mythological stories geography and depictions of gods with various cultural differences. Since human beings have fully developed their awareness, they have be gun tounder stand the environmentand interpret the nature in different meanings. Mythological stories dealt with as a subject in art and has found it splace in each period. Mythology, Jung and Freud, such as psychoanalysts are taking the lead in the effective foot steps. It is seen that many artists, especially Dali, dealt with this issue in the Surrealism movement. Max Ernst is one of them ostprominent of these artists. Max Ernst with “The Eye of Silence”, “Europe After Rain II”, “Antipope”; The imaginary land scapes are among the best images of the jarring beauty embodied in the crystal in the imagination of surrealists. These are objectified not from or dinary people, but from the eyes of a creature that exists in nature. The subtext of the works are very rich and encrypted like a puzzle. Them eaning of one eye is variable. On the onehand, according to the physiological position of the eye points to a different side than humanity, on the other hand in mythology, one-eyed giants in the body, brings to mind super human forces. In this study, the iconological analysis of Ernst's “Eye of Silence, Europe After Rain II, Antipope” will be analyzed in the context of myth, mythology and art.</em></p> Umut KAYAPINAR Copyright (c) 2021 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti 2021-05-20 2021-05-20 4 2 129 134 10.31566/arts.4.2.07